网友评分:
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
3.0分

扫一扫手机看

云点播

无需安装任何插件
排序

简介

  Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.
  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.
  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.
  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

猜你喜欢

  • 更新至第04集
    垂涎
    主演:邱鼎杰,黄星,李沛恩,江衡 oc,宣淏,杨鹏丞,刘天杨,韩松,向佐,冯建宇
  • 更新至第03集
    青春猪头少年不会梦到圣诞服女郎
    主演:石川界人,濑户麻沙美,雨宫天,山根绮,小原好美,石见舞菜香,上田丽奈,东山奈央,种崎敦美,内田真礼,久保由利香,水濑祈
  • 已完结
    二重赋格
    主演:刘怡潼,沈羽洁,完颜洛绒,李澳,屠显智,王乐,张垒,刘泳希,李进荣,李子锋
  • 更新至第06集
    瑞草洞
    主演:李钟硕,文佳煐,姜有锡,柳慧英,林成宰,尹均相,金度勋
  • 更新至第01集
    能面检察官
    主演:上川隆也
  • 更新至第01集
    甜心医生
    主演:泰钦·派伊桑皖,查维缇彭·普颂基缇萨库尔,塔巴纳瓦·高根鲁,坦那瓦·苏迪扎伦,Arm Chaiyapat Jumpasin,Top Sumethee,李龙世
  • 更新至第05集
    镀金时代第三季
    主演:凯莉·库恩,克里斯汀·芭伦斯基,辛西娅·尼克松,摩根·斯佩克特,路易莎·雅格布森,丹妮·本顿,泰莎·法米加,哈里·理查森,布莱克·里特森,本·阿勒斯,阿什莉·阿特金森,迪伦·贝克,Victoria Clare,Jordan Donica,杰西卡·弗朗西斯·杜克斯,丽莎盖伊·汉密尔顿,比尔·坎普,梅里特·韦弗,莱斯利·格塞斯,Paul L. Nolan,哈蒂·莫拉汉,安德列·马丁,John Conlee
  • 更新至第09集
    大猿魂
    主演:
  • 更新至第14集
    朝朝如念
    主演:何宣林,张庭睿,李彦漫,张轩瑜,嗯呐朱莉,宋海颉,吴芊妤,秦路鹿,张泽渊
  • 更新至第17集
    将军家的小儿子
    主演:董子凡,李楷文
  • 更新至第17集
    爱的方程式2025
    主演:宋伊人,郭子凡,张家硕,王丽娜,李之繁,丁燃,林艾泇,董子凡
  • 更新至第14集
    樱桃琥珀
    主演:赵今麦,张凌赫,董洁,保剑锋,董璇,张铎,沈佳钰,午圣,马启越,左林杰,胡嘉欣,刘俊坚,柴宗立